Judge us not by our methods, but by what we seek to accomplish.”The Illusive Man is the elusive, secretive, and well informed leader of Cerberus. He has close- cropped silver- grey hair with . The Illusive Man's real name and his life before Cerberus are both long forgotten by most. For years, the Illusive Man has been using Cerberus and his immense network of contacts to achieve his goal - that of making humanity ascendant above all other races. He is described as having the best and worst traits of humanity rolled into one man. Not long after the Battle of Shanxi, an e- mail circulated throughout the extranet calling for humanity to take its rightful place and assert its power to its new alien contacts. Alliance intelligence could not locate the originator of the e- mail, but referred to him as an . The name stuck, and the Illusive Man founded Cerberus, a human- centric splinter group. He was responsible for breaking Cerberus away from the Alliance military, and building up Cord- Hislop Aerospace as a cover for the organization's shadow operations. His justification is that, . The Alliance doesn't understand this, Cerberus does. It is currently unknown whether these grant him any additional abilities or are simply aesthetic. The Illusive Man's belief that biotics are the future of humanity led him to order the sabotage and detonation of Eldfell- Ashland Energystarships over human colonies, to ensure biotic children would be born. Welcome to Eva Green Web, your oldest, largest and most up-to-date fan resource dedicated to the talented and stunning BAFTA-winning and Golden Globe nominated French actress, best known for her roles in The Dreamers, Casino Royale, 300: Rise of an.Somehow — likely through unsavory means — the Illusive Man claimed one of these biotic children as a baby and gave her to Paul Grayson to raise as his own daughter. A decade later he planted Cerberus operatives into the Ascension Project to take advantage of the Alliance's more sophisticated biotic research. The Illusive Man does not trust an alien species that effectively has the largest armada of ships in the galaxy. However, he is also greatly impressed by the quarians' technological expertise, namely their creation of the geth and their continued survival despite the odds stacked against them. This curiosity has led him to seek the transmission codes for the Migrant Fleet in order to spy on them. Currently, it seems that his main focus is on the Reapers: realizing the vast threat they pose to humanity's survival but also acknowledging the benefits of their technology, he dedicates his vast resources in an effort to harness their power by any means necessary. During the First Contact War, Harper served on Shanxi, and in the later days of the war, he, Ben Hislop and Eva Cor. After heading back to General Williams' command compound, they analyze turian troop movement patterns and determined that they were looking for something. Upon interrogating the captured turian, Jack discovered that Desolas was searching for an artifact. After capturing Desolas' forces, Jack questions Desolas further; Desolas merely tells Harper to be careful about what he is looking for, as he might just find it. After leaving Eva in charge of the prisoners, Jack and Ben head into the cave where the artifact is located. After neutralizing the guards, Harper and Ben find that the artifact's emissions prevent them from contacting Eva due to interference. They examine the bodies of the guards more closely, but Ben approached the artifact, which activated. Jack tries to pull Ben out, and while he succeeds, Ben is killed in the process and Jack is knocked unconscious. After Jack regains consciousness, he notices Eva coming towards him, covered in blood saying that when the light from the artifact activating distracted her, the turians ambushed and captured her. Jack asks what happened, but Desolas shows up and says that is what he would like to know. Jack falls unconscious again as Desolas orders his men to take the artifact aboard his ship. Eva finally manages to get Jack to calm down as she is led into the room by Saren Arterius, who lets her comfort Jack. Profiles the disappearance of Eva Gerline DeBruhl, missing since June 29, 1977 from Catawba, South Carolina. Left and Center: Eva, circa 1977; Right: Age-progression to age 49 (circa 2011) Vital Statistics at Time of Disappearance Missing Since: June 29. Eva is a new mutant activated after the Phoenix dispersion, and has been called 'Near Omega-Level' by X-Men of the Year 2099 with the following powers: Chronokinesis: Temporal Stasis: Eva can seriously slow down time in a specific place. Eva tells Jack they are both prisoners, he's been in a coma for weeks, and that Ben is dead. Eva says it must have been something in the cave, and that Desolas took the body. Saren then cuts in saying that as far as they know, Jack is in perfect health, then after Jack demands to know who he is, Saren formally introduces himself and that he should be thankful that they didn't leave him to die. Eva then calls Saren out by saying that they are being taken to a prison camp on Palaven, the turian homeworld. However Saren says she is mistaken, about a lot of things. Outside a window, they see Arcturus Station, the capital of the Systems Alliance. Saren tells them the war is over and they are being taken home. Eva then tackles Desolas, despite Jack telling her not to, and is pulled off by Saren, who then comments to Desolas that his guards don't do much. Eva Gabrielsson In this interview by the Swedish national televsision, Stieg Larsson's life companion Eva Gabrielsson reveals the truth behind the man that was Stieg Larsson. She discusses her claims in the controversy surrounding Stieg's legacy as well as her. Desolas says they have their uses, and then communicates to them in a weird language, which Jack understands. This doesn't escape Desolas' notice, however, and he then turns to Williams saying that he should take the prisoners back by the treaty protocol, however Williams says they have been captive long enough and then tells him to leave. Jack is taken to a med bay where he is examined and has a conversation with Williams about what is really going on. Williams says that he can't order Jack to take on a mission like that because he is resigning, but tells Jack not to give up. He then gives Jack and Eva his personal ship to pursue Desolas and the artifact. As they walk up the boarding ramp, Jack suddenly collapses. EVA, in her disguise as Tatyana. During their escape through Lazorevo, EVA became distracted by her motorcycle's ruptured fuel tank, causing the bike to crash. She received two lacerations: one a wound to her abdomen after being impaled on a tree branch, and. Jose Mourinho's first appearance as Manchester United manager could be in court as Eva Carniero row rumbles on Jose Mourinho legal wrangle with Eva Carneiro continues on June 6 Details surrounding Chelsea doctor's exit to be made public Carneiro left in. Free eva smith papers, essays, and research papers. Title Length Color Rating Eva Smith in An Inspector Calls - Eva Smith in An Inspector Calls Do you agree that Eva Smith is presented as a victim in the play Eva used to sing this beautiful song at weddings, beginning with that of her friend Celia Murphy. Celia remembers, “I asked Eva if she would sing at our wedding, and she said she would be Eva rushes to Jack's side and says that she knew it was too early to leave as Jack needs more time to recover. Jack counters saying they don't have time to waste, that he's been having visions of destruction and they are linked to that artifact. Eva then asks where they are supposed to go, and Jack answers that they need to go to Illium. While they are heading down to the planet, Jack tells Eva that the artifact is here, he can feel it. On the way Eva questions why they brought it here, but Jack just ignores her and eventually finds what he is looking for. After landing at their destination, they leave the cab and start looking around. At that moment, Saren and Desolas' guards ambush them and Jack and Eva run for their lives. However, they are eventually cornered and one of the guards grabs Jack by the neck and Eva turns and attempts to hit it on the head with the butt of her gun, but Jack tells her not to. The creature's hood falls and reveals Ben, who has been transformed into another cybernetic entity. Eva tries to get away up a ladder, but the ladder is brought down by Ben, and she crashes into the rubble. Saren then pulls Jack and Eva aboard a ship and they leave Illium. While onboard, Jack is interrogated about his experiences with the artifact on Shanxi and the aftermath of it. Saren tells Jack that he is clearly different from Ben and he wants to know why. Ben then tells his story, and Jack just sits there and listens. After Ben is done, Saren then tells the three to prepare themselves as they are about to be the first humans to set foot on Palaven. Eva however says that she is curious why he doesn’t lead them out in chains, but Jack says the Council wouldn't approve, but he wouldn't be surprised if this was a power grab. Later in the evening, Jack and Eva are being led along behind the artifact and are talking about how long it is taking. Eva says that Jack was lucky he was in a coma when coming back from Shanxi, but Jack says he doesn't mind the wait as he wanted to get a closer look at Palaven for a time, and it is impressive, and so is Desolas. Dan Bilefsky is a correspondent based in London. He was previously a reporter based in Paris, where he covered, among other stories, the 2015 terrorist attacks on the satirical newspaper Charlie Hebdo and a kosher supermarket. From 2008 to 2011, Mr. Directed by Irvin Kershner. With Richard Harris, Gale Sondergaard, Geoffrey Lewis, William Lucking. The English gentleman known as Horse, returns to the American west to save his adopted Indian tribe from extinction. Eva then asks how they even know the artifact is in there, but Jack says he can hear it and Ben, who is behind them, says he can hear it as well. Jack then asks Ben what it is saying, and Ben just says that it commands them to follow and protect it, and to prepare for something. This conversation isn't lost on Desolas, who is walking just a little behind the three and orders Harper brought to him. Jack then turns to Desolas and says that he doesn't know what he is dealing with, but Desolas counters by asking if he does, then tells Jack that the artifact was here for a reason. He has been preparing the Temple for a while now and leads Jack into a backroom lab where they are studying the artifact. Jack, however, notices that it is only a surface analysis and asks why they just don't bring it back into the lab. Desolas says that he would like to but the now presented . Desolas says they can't tell him anything more about it, but Jack can and he noticed back on Arcturus Station that the relic had changed him. Jack then says, again, that Desolas doesn't know what he has, what he is dealing with, and that it is just too dangerous. Desolas then tells Jack that if he won't cooperate, then perhaps Eva will, but Jack says that she doesn't know anything and won't crack, and neither will he. Jack then pleads with Desolas to end the experiment being a man of science and the lack of results. The guards then lead Jack to an observation room. He then comes to a revelation and figures out what is going on. As he stands up, Desolas enters and says he discovered the same thing, but Jack then tells him there is something that he needs to know, the truth. Desolas however dismisses him and tells him to behold the future, a legion of perfect turians and destiny is at hand, and it begins now. While Jack is being led to his cell that he will share with Eva, she suddenly appears and floors one of the guards with a swift kick, knocking the gun out of his hand. She then deals with the other one and Jack lays out the first guard with a punch. He and Eva then head off to find Ben, but down the hallway find some . As they are observing them, Saren ambushes them. Jack then tries to persuade Saren what is really going on. He says that Desolas brought the artifact here for a reason and that he has been duped. Your #1 resource for all things Eva Green. By Naomi Pike. Eva Green might be a Bond girl, a Hollywood leading lady and a BAFTA winner, but she’ll never forget her first time gracing the cover of Vogue. Green’s debut was almost eight years ago, but she can recall the shoot with Patrick Demarchelier as though it was yesterday.“He is such a wonderful photographer and it’s effortless as well. It’s timeless and sophisticated and I always love his use of lighting. He’s an artist that doesn’t have an ego. There is a relationship with him – it’s not that I’m an object.” The rapport that the pair share is visible in the black and white images that the shoot produced. She’s laughing and pulling faces, but strikes a glamorous pose in Prada on the cover. While she might be happy to reminisce over her time shooting for Vogue, one thing she confesses she is “not great” is watching her own films. When we meet she is yet to see Miss Peregrine’s Home For Peculiar Children, in which she takes the titular role. Another part of the acting rigmorale that Green prefers to steer away from – and is now in a position to have the option to avoid – is auditioning. I’m rubbish, actually, and I get so nervous. My heart is about to pop out. It’s a disaster.”Green is not a person you think of having a nervous disposition. On the red carpet she chooses bold yet ephemeral styles – something that could be linked to the characters she has chosen to play in her over 1. It’s funny really as I don’t really have time to try on clothes,” she remarks as the conversation turns to the “baroque” aesthetic that she has become synonymous with. For the premiere of the film which marks the second time she has worked with Tim Burton, Green chose a scarlet Elie Saab gown. However, securing her first choice was a bit more problematic. As the name might suggest, her character Miss Peregrine is able to transform into a peregrine falcon, so a feathered gown would have felt particularly apt. Now it is age as well as “fighting to not play a love interest.”Green has kept her personal life out of the public eye. Unlike many of her peers, her social- media presence is minimal. Her friends keep trying to persuade her to join Instagram but she fears the intrusion. I think I’ve always protected myself quite well but it’s always been tough since day one. That’s the big challenge, and at the same time to remain vulnerable as an actor. Sometimes I just want to say . Not that her experience was anything but pleasant. Are they going to get tired? And actually absolutely all of them were focused, very professional. They were just beautiful. I was so nervous before meeting them because you can feel that they can see through you, and you’re not going to be credible as a strong headmistress- like figure. But there is a grace to children and as an actress that is wonderful to watch. It’s a real inspiration.”The book that which this film is based on was released for the YA audience 2. Tim Burton. The characters as atypical as the ones most associated with him: Edward Scissorhands, Jack Skellington, the Maitlands. Much like her feelings for Demarchelier, Green has great affection for Burton. Ahead of this film, the two had previously worked together on 2. Dark Shadows.“He is so easy to work with,” she says warmly. He is very kind, normal and fragile. There is something equal with him that I love. Even working with the children he was like ? How do you feel?’ which is so nice. He’s so open to ideas as well. He’s wonderful and amazing.”As it to be expected in any Burton epic, the visual is as much of a defining characteristic as is the plotline itself. Green’s character is all dark colours, nipped- in waists and striking shoulders. Her signature midnight black hair, which so seduced the camera in Casino Royale, is pinned with a cowlick curl. While her locks might be more on the navy side for this character, in reality Green’s hair is surprisingly little more dramatic than a “mousey” shade, reflecting her Swedish- French roots.“My dark blonde was actually quite bland,” she confesses, admitting that she has darkened it to have “something happening” since she was a teen. She was from Yugoslavia and I wanted to look like her.”Besides wanting to look like her mum’s friend, a darker shade did feel more natural for the young actress. But, much like she won’t be defined by the characters she plays, the decision was not as simple as “I am dark, so I should have dark hair”, or a case for wanting to be more easily recognisable. Green admits to possessing the ability to make herself invisible as she walks through London in swathes of scarves and glasses. Unfortunately, with her CV continuing to expand and a beauty as powerful as hers, her anonymity is becoming scarcer and scarcer.
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